Medieval Murals in the Church Attics of Östergötland : Technical Art I History Reception I History Value
W. (Bill) Wei, Anna Henningsson, Kaja Kollandsrud, Külli Erikson, Karin Hermerén, Johan Eriksson, Ann-Charlotte Hertz, Henrik Lindblad, Thomas Warscheid
Mjukband - 118 sidor - English - 2016
200 kr
Leveranstid: 5-7 arbetsdagar inom Sverige, upp till 14 arbetsdagar till utlandet.
These are the proceedings of the symposium Medieval Murals in the Church Attics of Östergötland, held in September 2015, at Norrköping Art Museum, organised by ICOMOS Sweden’s Scientific Working Group for Mural Paintings. The purpose of the symposium was to bring different disciplines together to shed light on diverse aspects of an ensemble of medieval wall paintings, located in the attics of eight churches in the county of Östergötland in south-east Sweden.
This ensemble of medieval art, hidden in the attics of the churches, offers a rare opportunity for gaining new insights into sacred art. The absence of a complex conservation history makes this medieval wall painting ensemble unique. The paintings are thus an extraordinary historical source of information about medieval art and the messages embedded in the materials. An art-technological approach was applied in recent investigations of these mural paintings. Interesting results were obtained by exploring the material composition and its effects on the visual appearance. Through a collaborative effort, the messages and significance of the paintings, which present-day viewers cannot perceive, may
again become accessible.
The contributors to the proceedings share their experience, insights, and opportunities related to art-technology, value and the reception history of this type of sacred art in historic churches.
Om författarna
Historic Church Interiors – Professional and Public Perception
Reflections on Technical Art History for Sacred Art
in Swedish Churches
Accessing the Past in the Present: A Search for Meaning in
Polychrome Medieval Art
Depiction of the Last Judgement on the Romanesque Wall
Painting in Skönberga: Iconographic Idea, Questions, Explanations
Conservation: Increasing or Decreasing Value
Iconography, Narrative and Meaning – Situating the Romanesque
Mural Paintings in Östergötland
Aron Borelius and the Romanesque Mural Paintings in
Churches in Östergötland
Observations and Thoughts on the Symposium
Observations and Thoughts on the Symposium
These are the proceedings of the symposium Medieval Murals in the Church Attics of Östergötland, held in September 2015, at Norrköping Art Museum, organised by ICOMOS Sweden’s Scientific Working Group for Mural Paintings. The purpose of the symposium was to bring different disciplines together to shed light on diverse aspects of an ensemble of medieval wall paintings, located in the attics of eight churches in the county of Östergötland in south-east Sweden.
This ensemble of medieval art, hidden in the attics of the churches, offers a rare opportunity for gaining new insights into sacred art. The absence of a complex conservation history makes this medieval wall painting ensemble unique. The paintings are thus an extraordinary historical source of information about medieval art and the messages embedded in the materials. An art-technological approach was applied in recent investigations of these mural paintings. Interesting results were obtained by exploring the material composition and its effects on the visual appearance. Through a collaborative effort, the messages and significance of the paintings, which present-day viewers cannot perceive, may
again become accessible.
The contributors to the proceedings share their experience, insights, and opportunities related to art-technology, value and the reception history of this type of sacred art in historic churches.
Om författarna
Historic Church Interiors – Professional and Public Perception
Reflections on Technical Art History for Sacred Art
in Swedish Churches
Accessing the Past in the Present: A Search for Meaning in
Polychrome Medieval Art
Depiction of the Last Judgement on the Romanesque Wall
Painting in Skönberga: Iconographic Idea, Questions, Explanations
Conservation: Increasing or Decreasing Value
Iconography, Narrative and Meaning – Situating the Romanesque
Mural Paintings in Östergötland
Aron Borelius and the Romanesque Mural Paintings in
Churches in Östergötland
Observations and Thoughts on the Symposium
Observations and Thoughts on the Symposium